EL COLEGIO DEL CARDENAL DE MONFORTE DE LEMOS. EVOLUCIÓN DE LA TRAZA UNIVERSAL.
End of master project
The study of its extensive construction would be a too ambitious purpose in the time and space that we have, so it is not exhaustively covered, the configuration of the work as we see it today, but it is looking to recreate the original traces to from the current morphology of the building and the documentation that
has reached our days.
Student: Manuel Ángel Feal Antelo Tutor: José Ramón Soraluce Blond, Professor of Architectural Composition of the Composition Department of the School of Architecture of the University of A Coruña.
LA BÓVEDA DEL PRESBITERIO DE LA IGLESIA DEL COLEGIO DEL CARDENAL DE MONFORTE DE LEMOS
Proceedings of the Fourth National Congress on the History of Construction, Cádiz, January 27-29, 2005, ed. S. Huerta, Madrid: I. Juan de Herrera, SEdHC, Architects of Cádiz, COAAT Cádiz, 2005.
Author: Rosa Ana Guerra Pestonit
LOS TRAZADOS DE MONTEA DE FACTURA RENACENTISTA DEL EDIFICIO DE LOS ESCOLAPIOS DE MONFORTE DE LEMOS
Proceedings of the Second National Congress on the History of Construction, A Coruña, October 22-24, 1998, eds. F. Bores, J. Fernandez, S. Huerta, E. Rabasa, Madrid: I. Juan de Herrera, SEdHC, U. Coruña, CEHOPU, 1998.
Author: Manuel J. Freire Tellado
BÓVEDAS Y CONTRARRESTO DEL COLEGIO DE NUESTRA SEÑORA DE LA ANTIGUA DE MONFORTE DE LEMOS. GEOMETRÍA, CONSTRUCCIÓN Y MECÁNICA
Thesis directed by SANTIAGO HUERTA FERNÁNDEZ Doctor Arquitecto. Department of Building Structures Superior Technical School of Architecture
Author: Rosa Ana Guerra Pestonit Arquitecta
PROCESO METODOLÓGICO Y COMPOSITIVO DEL RENACIMIENTO EN GALICIA. 1499-1657
Doctoral Thesis, directed by Dr. Merino Cáceres and co-directed by Dr. Soraluce Blond; University of A Coruña
The architecture that we have as objective to analyze will be the bounded one between 1499 and 1657 for being these two reference dates for the Galician architecture. This period studied is not the beginning or the end of anything, a style is not formed from one year to the next, but in reality is a continuous flow of influences and evolution in clear consonance with the society of each moment … ..
Author: D. Victor Grande Nieto
Reference to the Nª Sª de la Antigua School, see pages 77-98
LA ARQUITECTURA JESUÍTICA, Actas del Simposio Internacional
Coordinators: M.ª Isabel Álvaro Zamora, Javier Ibáñez Fernández, Jesús Criado Mainar
In this publication, the Proceedings of the International Symposium on Jesuit Architecture, held in Zaragoza in 2010 (9, 10 and 11 December, Paraninfo of the University), are collected, as a complementary action linked to the I + D Corpus Project
of Jesuit Architecture, interuniversity and international, directed from the Department of Art History of the University of Zaragoza.
Referencias principales pág. y ss-
MAESTROS CANTEROS DE TRASMIERA EN GALICIA (siglo XVI)
The present work has as an objective the study of the Cantabrian stonemasons, specifically of the Trasmiera region, who moved to Galicia in the 16th century developing an intense and valuable work. They participated in the constructive activity in the region, often in collaboration with teachers from different origins, which will originate a confluence of artistic influences that will determine the particularities and idiosyncrasies of Galician art of this period.
Published by the UNED. Space, Time and Form 81; Series VII, History of Art, t. 24, 2011
LA ANTIGUA SACRISTÍA DEL COLEGIO DEL CARDENAL DE MONFORTE DE LEMOS: estudio geométrico de una bóveda muy deformada.
Proceedings of the Sixth National Congress, Valencia 21-24 October 2009 Lecture in Congress or Seminar (Article). Sixth National Congress on the History of Construction, 21-24 October 2009, Valencia
Autora: Guerra Pestonit, Rosa Ana
NUEVA MONTEA DE UNA BÓVEDA EN EL COLEGIO DEL CARDENAL DE MONFORTE DE LEMOS
«New montea of a vault in the College of the Cardinal of Monforte de Lemos». In Proceedings of the Eighth National Congress on the History of Construction. Madrid, 9 – 12 October 2013, edited by Santiago Huerta and Fabián López Ulloa, 447-453. Madrid: Juan de Herrera Institute. 2013
Autora: Guerra Pestonit, Rosa Ana
ESTUDIO INDIVIDUAL DEL PATRIMONIO MONUMENTAL DE GALICIA AFECTADO POR EL SEÍSMO de LISBOA en 1755
On November 1, 1755, a strong earthquake with oceanic epicenter in the southwest of the Iberian Peninsula shook the buildings of many towns in Spain, Portugal and northwest Africa, causing a large number of victims and significant material damage. Its effects on the Portuguese capital, in the form of ruins of entire neighborhoods, fires and tidal waves, were tragic, which is why it is historically known as the Great Lisbon Earthquake. This thesis addresses the impact of this earthquake on the monumental heritage of Galicia, the damage it caused to buildings and the consequences in the medium and long term in its conservation. They are studied, from the perspective of the history of architecture and construction. See the College of Nª Sª de la Antigua on pages 67 to 92
Autora: Begoña Ces Fernández
LA FACHADA DE LA IGLESIA DEL COLEGIO DE LA COMPAÑÍA EN MONFORTE DE LEMOS. TEMPERAR LA ARQUITECTURA
The College of the Society of Jesus in Monforte de Lemos was sponsored by Cardinal Rodrigo de Castro and designed around 1592 by the Milanese-born architect Vermondo Resta and the Jesuit Andrés Ruiz. The church is the axis of the main façade of the building, a large bizarre front reminiscent escurialese. In fact, the relationship of the principal, the Jesuits and the architects with the circle of Juan de Herrera determined a great influence of the Herrerian classicism in the project; but the facade of the church is also one of the most interesting examples of “romanism” in Spanish Jesuit architecture at the end of the 16th century. His general scheme, based on two bodies joined by chariots, and other features clearly follow the treaties of Serlio and Vignola and the Gesù of Rome itself. The objective of this work is to reconsider the constructive circumstances and the sources of the ecclesial façade in order to better understand the terms of its conciliation between Italian and Spanish tradition, mannerism and classicism. This article is between pages 891 – 905
Author: María Rivo Vázquez, University of Santiago de Compostela.
ART / HISTORY
MUSEOS Y COLECCIONES ESPAÑOLAS CON OBRAS DEL GRECO
List of Spanish Museums and Collections with works by Domenico Theotocopuli -GRECO- Where we can see some repetitions of paintings, the number of them by museum or collection.
THE TOWN OF MONFORTE IN LIGHT OF THE CADASTER OF ENSENADA (PART I)
“An example of the capital of a stately State”
Monforte is a new example of how the analysis of a small city can be applicable not only to the knowledge of local history but can also contribute to the understanding of the history of a broader scope.
The so-called Cadastre of the Marquis of Ensenada, Zenón de Somodevilla, Secretary of the Treasury of Fernando VI, 1 was drafted with the aim of reforming the chaotic, inefficient and unjust fiscal system in force in the 18th century in the Crown of Castile for a single tax or ” The only one “that taxes each person according to their heritage, earnings and work income, without exceptions or privileges, for which the elaboration of a cadastre was necessary, which would allow knowing the existing wealth in all the territories and kingdoms …
Author: Rosa Mª Guntiñas Rodríguez
ASPECTOS RELEVANTES SOBRE EL ESCULTOR FRANCISCO DE MOURE
The figure of Francisco de Moure, one of the most outstanding sculptors of Galician art, does not require any presentation because it is well known. In this regard, we have an abundant bibliography that has been gradually revealing interesting news about his life and artistic production ^ However, there are a number of aspects that, although contemplated in some of the studies referred to, need to be retaken in order to be punctuated and expanded to know a little better this great artist.
Autor: Fernando Pérez Rodríguez
BIOGRAFÍA DE SAN FAUSTINO MÍGUEZ, ESCOLAPIO Y RECTOR DEL COLEGIO DE Nª Sª DE LA ANTIGUA DE MONFORTE DE LEMOS
Small biography that collects the most characteristic features of the life of Saint Faustino Míguez, who was rector of the College of PP. Escolapios de Monforte and founder of the Calasanctian Religious, Daughters of the Divine Shepherdess.
LITERATURA Y TEATRO
LO CÓMICO Y LO SERIO MEZCLADO EN EL FESTEJO JESUITA PARA LA COMEDIA DE LA INVENCIÓN DE LA SORTIJA (MONFORTE DE LEMOS, 1594)*
Study of the two parts of the Comedy of the invention of the ring (newly discovered and incorporated into the corpus of the Spanish Golden Theater) within the framework of the celebration that was offered to Cardinal Rodrigo de Castro during his visit to Monforte de Lemos (1594 ).
Author: Miguel Zugasti Department of Philology University of Navarra
DIEGO GARCÍA RENGIFO, ¿AUTOR DE L A C OMEDIA DE LA INVENCI ÓN DE LA SORTIJA ?
The article proposes the authorship of Diego García Rengifo for the hitherto anonymous La Comedia de la invencion de la ring, interpreted by the children of the Colegio de la Compañía de Monforte, in 1594, before the cardinal Don Rodrigo de Castro, the VI counts of Lemos and his son Don Pedro. The indications that support this hypothesis are several …
Author: Manuela Sáez González University Complutense de Madrid
LA BREVE RELACIÓN DE LAS FIESTAS QUE EL COLEGIO DE LA COMPAÑIA… HIZO EN LA CONSAGRACIÓN DE LA IGLESIA NUEVA DE NUESTRA SEÑORA DE LA ANTIGUA EN 4 DE AGOSTO DE 1619.
The study we present focuses on the relationship that is kept in the Library of the Royal Academy of History in Madrid, Colección Papeles Varios de Jesuitas, volume 75. The original is a “paper” handwritten, folio, two sheets, the first written on both sides and 11 more lines on the second, in contemporary print. It makes a description of the celebrations that on the occasion of the Consecration of the Church were made in Monforte on 4,5,6, August 7, 1619
Author: Julio Alonso Asenjo University of València
EL TEATRO DE LOS JESUITAS EN GALICIA EN LOS SIGLOS XVI Y XVII
Summary: A large number of testimonies about the existence of theatrical representations in the Galician schools of the Jesuits are gathered in this work and the only preserved piece is studied and edited, the Eclogue of Virgine Deipara [Eclogue to the Virgin Mother of God] , work in Latin, Castilian, Portuguese In the study of this hitherto unpublished piece, special attention is paid to the historical circumstances in which it was composed and its probable role as a direct precedent of the famous Entremés on fishing of the river Miño (1671) by Gabriel Feixóo de Araúxo, considered for a long time as the birth certificate of the theatrical genre in Galicia. News of the theatrical activity in Monforte de Lemos is given from page 5.
Autor: Julio I. González Montañés